{"id":424,"date":"2018-04-22T16:39:56","date_gmt":"2018-04-22T16:39:56","guid":{"rendered":"http:\/\/www.tenderarchive.com\/wordpress\/?page_id=424"},"modified":"2024-07-19T22:04:03","modified_gmt":"2024-07-19T22:04:03","slug":"nocturama","status":"publish","type":"page","link":"https:\/\/www.tenderarchive.com\/?page_id=424","title":{"rendered":"Nocturama"},"content":{"rendered":"<p><div><style scoped>\r\n.embed-container { \r\n  position: relative;\r\n  padding-bottom: 56.25%;\r\n  height: 0; \r\n  overflow: hidden;\r\n  max-width: 100%px;\r\n  margin: 0px auto;\r\n} \r\n\r\n.embed-container iframe { \r\n  position: absolute;\r\n  top: 0px;\r\n  left: 0px;\r\n  width: 100%;\r\n  height: 100%;\r\n  padding-bottom: 0;\r\n}\r\n<\/style><div class=\"embed-container\"><iframe src=\"https:\/\/player.vimeo.com\/video\/58150304\" frameborder=\"0\" webkitallowfullscreen mozallowfullscreen allowfullscreen><\/iframe><\/div><\/div><\/p>\n<p>Featuring Magritte Nankin<\/p>\n<p>2012, 3-channel video installation, silent,\u00a0 6 min. \/ 13 min. \/ 30 min.<\/p>\n<p>Solo exhibition, Comfort Station, Chicago<br \/>\nCurated by Michael Green<\/p>\n<p>On view at night only, through windows of locked building.<\/p>\n\n<p>&#8220;The videos&#8217; quiet tone and their unusual setting creates a mood like that of a musical nocturne: meditative, gloomy and haunted by the shadows of half-formed dreams.&#8221; &#8211; <em>Time Out Chicago<\/em><\/p>\n<p>Critics&#8217; Pick\u00a0 &#8211;<em>Time Out Chicago<\/em><br \/>\nArt Critic&#8217;s Choice\u00a0 &#8211;<em>Chicago Reader<\/em><\/p>\n<p>In order to view Chicago artist\/filmmaker Melika Bass&#8217; new site-specific installation, you must circumambulate the odd, contained Comfort Station Logan Station, enduring minor bushwhacking and the associative feelings of peering into windows that aren&#8217;t your own. The issues Bass deals with seem as simple and elegant as her compositions: interiority, domesticity, the performance of gender, the quiet moments of preparation for one&#8217;s day, the solitude and vulnerability of lonely slumber, voyeurism. The figures move slowly and deliberately, like they are caught in a dream. Each projection-there are three-is a portrait of a single action. Part of the joy of experiencing this piece is in the small ways it reveals itself. Watch it from across the street, watch watchers watching, bend back branches if you must, match the car sounds to their own incursive light. The three videos loop, but at such different speeds that every intersection and juxtaposition is unique and ephemeral, if only subtly. I thought of specters and spectators. -Jesse Malmed, Cine-file<\/p>\n<p>Installation photos by Joseph Carr.<\/p>\n\n    <div class=\"xs_social_share_widget xs_share_url after_content \t\tmain_content  wslu-style-1 wslu-share-box-shaped wslu-fill-colored wslu-none wslu-share-horizontal wslu-theme-font-no wslu-main_content\">\n\n\t\t\n        <ul>\n\t\t\t        <\/ul>\n    <\/div> \n","protected":false},"excerpt":{"rendered":"<p>Featuring Magritte Nankin 2012, 3-channel video installation, silent,\u00a0 6 min. \/ 13 min. \/ 30 min. Solo exhibition, Comfort Station, Chicago Curated by Michael Green On view at night only, through windows of locked building. &#8220;The videos&#8217; quiet tone and their unusual setting creates a mood like that of a musical nocturne: meditative, gloomy and &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/www.tenderarchive.com\/?page_id=424\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Nocturama&#8221;<\/span><\/a><\/p>\n","protected":false},"author":3,"featured_media":0,"parent":276,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"class_list":["post-424","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.tenderarchive.com\/index.php?rest_route=\/wp\/v2\/pages\/424","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.tenderarchive.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.tenderarchive.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.tenderarchive.com\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.tenderarchive.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=424"}],"version-history":[{"count":17,"href":"https:\/\/www.tenderarchive.com\/index.php?rest_route=\/wp\/v2\/pages\/424\/revisions"}],"predecessor-version":[{"id":1156,"href":"https:\/\/www.tenderarchive.com\/index.php?rest_route=\/wp\/v2\/pages\/424\/revisions\/1156"}],"up":[{"embeddable":true,"href":"https:\/\/www.tenderarchive.com\/index.php?rest_route=\/wp\/v2\/pages\/276"}],"wp:attachment":[{"href":"https:\/\/www.tenderarchive.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=424"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}