An expansive, multi-part project featuring site-specific installations and a feature film.
in-progress feature film, 2019
4-channel installation, 2015
Hyde Park Art Center
Nanty I, 2015, S16mm film on HD video, 13 mins.
Nanty II, 2015, S16mm film on HD video, 15 mins.
Anthony, 2015, S16mm film on HD video, 9.5 mins.
Jed, 2015, S16mm film on HD video, 12 mins.
Bass takes over the upstairs Kanter-McCormick Gallery at the Art Center, expanding the territory of her gothic world in a new work The Latest Sun is Sinking Fast, an immersive, multi-channel installation incorporating 16mm film/video, sound, architecture, and featuring performances by Sarah Stambaugh, Bryan Saner, and Matthew Goulish.
The solo exhibition features a spatial narrative installation that delves, through movement, texture, sound, and gesture, into the psychology of a recurring figure in Bass’ previous films; while also introducing two new characters, blending the past into the present. Bass has designed the installation by altering the gallery, leading the viewer through a evocative memory of place, embedding us in a timeless society of lost souls in a haunted landscape.
-Allison Peters Quinn, Exhibition Director, Hyde Park Art Center
Read Exhibition Essay (Karsten Lund, Assistant Curator, Renaissance Society)
Best New Video Installation 2015
“One of the most exciting film events happening in Chicago …
Beautiful, yet vaguely terrifying.”
(Time Out Chicago)
“By super-imposing image, sound, and story, Bass spawns sensory pleasures
which guide viewers around the mesmeric space.”
Installation photos by Clare Britt
Single-channel installation, 2013
Nanty, S16mm film on HD video, 13 mins.
The Presence of Absence
Curated by Dave and Debra Tolchinksy
Sponsored by The Contemporary Arts Council
Hairpin Arts Center
“Bass’s short film focuses unwaveringly…intimately projected…
A fragmentary character study, intense, repetitive and unguarded.”(Lori Waxman, Chicago Tribune)
“A show about invisible forces in the world.
One of the best art gallery shows in Chicago right now.” (Jason Foumberg, Chicago Magazine)
“This is a wonderfully odd, powerful, thoughtful show.” (Paul Klein, Huffington Post)
Installation photo by Tom Van Eynde.